frequently asked questions
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Hiding in Plain Site is a curated film exhibition program featuring short moving-image works exploring public art across global contexts.
The program highlights works that feature or engage public art through film, video, experimental media, XR, and AI-assisted moving-image practices.
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Public art—in a multitude of forms—plays a significant and meaningful role in the lives of people all over the world. Public art, for our purpose, is loosely defined as freely accessible creative expression, non-commercial original work by artists, presented outside of traditional cultural venues—temporarily or long-term.
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Thursday, September 10, 2026
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There is no submission fee.
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We welcome submissions from:
filmmakers
artists
designers
students
creative practitioners
collectives
emerging and established creators
International submissions are encouraged.
No professional filmmaking background is required.
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We accept:
documentary
narrative storytelling
video art
animation
experimental
XR (extended reality)
AI-generated or AI-assisted original work\
NOTE: Academic lectures, TED Talks and TV network-produced stories are NOT eligible.
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Submissions are reviewed through a curatorial selection process led by Jack Becker, HPS director and Paige Dansinger, HPS co-producer. Additional reviewers TBD.
Selection criteria include:
Originality
Emotional or conceptual impact
Program fit
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Standard Submission: Works from 2 to 20 minutes
Micro Public Art Short: Works up to 2 minutes
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Please submit one work per creator or team.
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No, works may created with:
smartphones
accessible tools
DIY methods
emerging technologies
We are interested in strong ideas, compelling storytelling, and meaningful engagement with public art.
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Yes, artists retain full copyright of submitted work:
Participating artists must grant permission to HPS for screening.
Participating artists may grant promotional use of still images or short excerpts for festival-related communications.
No work will be commercially distributed or licensed to third parties without separate permission.
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Participating filmmakers will be paid a modest stipend, to be determined based on revenues generated from presentations (TBD).
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The initial screening will take place in Minneapolis, Minnesota (US) during the 32nd International Sculpture Conference from October 22–25, 2026.
Additional presentation formats may include:
live screenings
looping exhibitions
hybrid or virtual presentations
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HPS will pursue opportunities to engage filmmakers, artists and audiences to participate in Q&A sessions and informal conversations.
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Please complete the online submission form.
